Condensed Operating Instructions - Front Panel
(Click on front
panel for larger photo)
DI INPUT: Selects between Instrument (10M at the front
1/4" jack, 1M at the rear jack) and Line (100K with a -20dB
pad at both inputs).
MIC/DI: Selects between the MIC input (via the XLR
input connector) or DI input signals (via the front or rear 1/4"
+48V: 48 volts to the XLR input for mics requiring
0/-20: Inserts a 20 dB pad in front of the mic input
+/-: Mic phase reversal switch. Normal phase is XLR
pin 2 hot.
LO CUT: An 12dB/octave low frequency mic rolloff at
75 or 150 Hz. Center position is off.
GAIN: +33 to +63dB for the mic input, +20dB to + 50dB
for the DI instrument input, and 0 to +30dB for the DI line input,
in 3dB steps.
OUTPUT: Controls the output level of the preamp stage.
By increasing the Gain and lowering the Output level, the harmonic
content of the preamp can be varied.
HI: ±10dB shelving at 7, 10, or 15 kHz.
MID: ±10dB peaking at 0.7, 1.6, 2.2, 3.3, 5.0 and
LO: ±10dB shelving at 50, 100, or 200 Hz.
EQ before/after Opto: Places the equalizer before or
after the opto-compressor and de-esser.
THRESHOLD: Up to 27dB of compression is possible.
RATIO: The compression ratio is continuously variable
1.5:1 to 15:1.
OUTPUT: The tube line stage will supply up to +15dB
of gain make-up after compression.
MODE: There are four modes of compression: Fast (peak-averaged),
Average (rms detection), Vintage (program dependent attack and
release times), or manual (attack 1-100ms, release 0.1-2s).
THRESHOLD: Controls triggering of the sibilance detector
FREQUENCY: Sets the detector to trigger selectively
at one of 11 frequencies, from 3.4 to 11.5 kHz.
DEPTH: Sets the depth of the notch filter from -2 to
COMPRESSOR/OUTPUT: In the Compressor position,
the VU meter indicates the amount of gain reduction. In the Output
position, the VU meter indicates the signal level at the XLR
and 1/4" main output connectors . The meter is electronically
isolated from the signal path, and is calibrated to 0VU = +4dBu
All are 'hard' bypass switches that remove the
EQ, Compressor or De-Esser from the signal path.
Condensed Operating Instructions - Rear Panel
(Click on rear panel for larger photo)
MIC: A Female XLR input for connecting microphones
using standard balanced XLR mic cables. Pin 1 = ground. Pin 2
= + (positive phase), pin 3 = - (negative phase). Note: this
input may be +48v phantom powered, as selected by the '+48' switches
on the front panel. Do not use phantom power on a microphone
that does not require it! (e.g. dynamic, ribbon, or tube microphones).
Make all mic connections before applying phantom power!
DI: An unbalanced 1/4" input for connecting an
instrument directly to the rear panel, or for connecting the
Quartet to an unbalanced patch bay.The input impedance of this
jack is 1M when the DI input switch on the front panel is set
to Instrument, or 100K with a 20dB pad when the DI input switch
is set to Line.
Send or MIC/DI Direct Out: Use this jack to obtain
a direct output from the Mic/DI preamp, or to send the Mic/DI
preamp signal out of the Quartet for outboard processing. This
jack is normalled to the Mic/DI insert Return.
Return or External Preamp In: Use this jack to patch an
external preamp into the Quartet, or to return the Mic/DI preamp
signal into the Quartet after outboard processing. This jack
is normalled to the Mic/DI insert Send.
EQ In/Out: Use these jacks to patch the tube EQ out
for external processing. Make sure the IN/BYPASS switch on the
front panel is in BYPASS.
Opto/DS In/Out: Use these jacks to patch the Opto-compressor/De-Esser
out for external processing. Make sure the IN/BYPASS switch on
the front panel for the Opto-compressor is in BYPASS. To use
the De-Esser, put the IN/BYPASS switch in the 'IN' position.
Opto/DS Link: A TRS jack for linking two Quartet compressors
for stereo operation. Linking requires a TRS 'crossover' cable,
in which the tip and ring connections are inverted on the opposite
side of the cable.
Transformer-Balanced: A male XLR connector with Pin
1 = ground, Pin 2 = + phase, Pin 3 = - phase. Connect this output
to 3 pin balanced console, converter, or tape input.
Unbalanced: A 1/4" jack with Tip = + phase, Sleeve
= ground. Use it for connecting the Quartet to an unbalanced
input, or to a balanced input with Tip = pin 2, Ring = pin 3,
Sleeve = ground.
NOTE: The transformer-balanced XLR output is DISABLED when using
the unbalanced output.
AC IN: On the left side of the rear panel is the IEC
input socket. Connect to a 120V/60Hz or 230V/50Hz receptacle
with the 3 prong IEC power cable.
Voltage Selector (115/230V): Set the ac voltage switch
for the correct line voltage before connecting the Quartet to
the ac line. For safety reasons, do not lift the ground on the
power plug by using a 3-to-2 ground lift adapter.
Fuse: If necessary, replace the 1.5A/250V (5x20mm)
SLO-BLO fuse (inside the IEC input socket) only with the same
type and rating.